Deep P.O.V. Part Two—Crawling Inside Your Characters

Kristen Lamb's Blog

This GORGEOUS image via Flickr Creative Commons, courtesy of Aimannesse Photography This GORGEOUS image via Flickr Creative Commons, courtesy of Aimannesse Photography

Last time we talked about the history and evolution of POV (Point of View) and why certain types of POV might not be the best choice for a modern reader. We also talked about what is often called “deep POV” which, until I looked it up one day? I thought was just tight writing. Who knew it had a name?

Today we’re going to dive deeper into deep POV.

Wow, deep.

Yes, there are style changes we can make, like removing as many tags as we can and ditching extraneous sensing and thinking words. But deep POV is strongly tethered to characterization. Good characterization. Before we get to that, let’s talk about what we often do when we’re new.

The Fishy Flashback

When we’re new writers, we often don’t understand plotting. We don’t yet have the skill set…

View original post 2,303 more words

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About peggylchambers

Peggy Chambers calls Enid, Oklahoma home. She has been writing for several years and is an award winning, three-time published author, always working on another. She spends her days, nights, and weekends making up stories. She attended Phillips University, the University of Central Oklahoma and is a graduate of the University of Oklahoma. She is a member of the Enid Writers’ Club, and Oklahoma Writers’ Federation, Inc. There is always another story weaving itself around in her brain trying to come out. There aren’t enough hours in the day!
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